Live Jazz
Gene Krupa
Gene Krupa (January 15, 1909 – October 16, 1973) was a famous and influential American jazz and big band drummer, known for his highly energetic and flamboyant style. Many consider Krupa to be one of the most influential drummers of the 20th century, particularly regarding the development of the drum kit. Many jazz historians believe he made history in 1927 as the first kit drummer ever to record using a bass drum pedal. His drum method was published in 1938 and immediately became the
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Gene Krupa (January 15, 1909 – October 16, 1973) was a famous and influential American jazz and big band drummer, known for his highly energetic and flamboyant style.
Many consider Krupa to be one of the most influential drummers of the 20th century, particularly regarding the development of the drum kit. Many jazz historians believe he made history in 1927 as the first kit drummer ever to record using a bass drum pedal. His drum method was published in 1938 and immediately became the standard text. He is also credited with inventing the rim shot on the snare drum. Rhythm, the UK’s best selling drum magazine voted Gene Krupa the third most influential drummer ever, in a poll conducted for its February 2009 issue. Voters included over 50 top-name drummers.
Krupa was born Eugene Bertram Krupa to Polish parents in Chicago, Illinois. He began playing professionally in the mid 1920s with bands in Wisconsin. He broke into the Chicago scene in 1927, when he was picked by MCA to become a member of “Thelma Terry and Her Playboys”, the first notable American Jazz band (outside of all-girl bands) to be led by a female musician. The Playboys were the house band at The Golden Pumpkin nightclub in Chicago and also toured extensively throughout the eastern and central United States.
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Maynard Ferguson
Walter “Maynard” Ferguson (May 4, 1928 – August 23, 2006) was a Canadian-born jazz trumpet player and bandleader. Maynard’s first idol was trumpeter Harry james and he first received his music union card at age thirteen. He left Montreal at age eighteen with close friend and schoolmate, Oscar Peterson and secured a contract recording session work with RCA Victor’s prestigious Jazz division. He came to prominence playing in Stan Kenton’s orchestra, before
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Walter “Maynard” Ferguson (May 4, 1928 – August 23, 2006) was a Canadian-born jazz trumpet player and bandleader.
Maynard’s first idol was trumpeter Harry james and he first received his music union card at age thirteen. He left Montreal at age eighteen with close friend and schoolmate, Oscar Peterson and secured a contract recording session work with RCA Victor’s prestigious Jazz division.
He came to prominence playing in Stan Kenton’s orchestra, before forming his own band in 1957. He was noted for being able to play accurately in a remarkably high register, and for his bands, which served as stepping stones for up-and-coming talent. Maynard also played a solo at the Closing Ceremony of the 1976 Summer Olympic Games at Montreal, Canada.
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Stan Getz
Getz, Stan, 1927–91, American jazz tenor saxophonist, b. Philadelphia, Pa., as Stanley Gayetsky. As a mature musician he was especially known for his “cool” jazz style. He began playing as a teenager in Jack Teagarden’s band, later appearing with bandleading greats Stan Kenton, Jimmy Dorsey, Benny Goodman, and Woody Herman. His early playing was heavily influenced by Lester Young, and he recorded a number of singles with the likes of Dizzy Gillespie and Gerry Mulligan.
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Getz, Stan, 1927–91, American jazz tenor saxophonist, b. Philadelphia, Pa., as Stanley Gayetsky. As a mature musician he was especially known for his “cool” jazz style. He began playing as a teenager in Jack Teagarden’s band, later appearing with bandleading greats Stan Kenton, Jimmy Dorsey, Benny Goodman, and Woody Herman. His early playing was heavily influenced by Lester Young, and he recorded a number of singles with the likes of Dizzy Gillespie and Gerry Mulligan. During the 1960s Getz experimented with the Brazilian bossa nova sound, which was particularly suited to his breathy style and resulted in such hit records as “Desafinado” and “The Girl from Ipanema.” His later work continued to be improvisational, expressive, emotional, and highly melodic, but with a somewhat harder edge.
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